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2010 NEWSLETTERS

Club Contact information:

Address: c/o Focus on Nature, PO Box 270501, Louisville, CO 80027-0501

Email: uwpc@comcast.net Website http://www.couwpc.com

January 2010

Next Meeting: Jan. 5, 2009 7:00 PM, VIP Room

Denver Museum of Nature and Science

January Program

Laura Fellows from www.exoticbirding.com will present a program on photographing tropical birds. Laura runs exotic birding trips out of the Denver area.

Monthly Critique Images

Please submit up to 4 images, for normal critique. Please remember to size the images to less than 500kB and send them before the meeting (a week is good, not later than the Sunday before) to uwpcimages@comcast.net so we can include them in the monthly program. If you need help on the sizing process, go to the page on our website on “digital submission specs”. I have not yet come up with the 2010 monthly theme's so feel free to submit up to 4 images for this month's critique. PLEASE include your name (not just initials) in the image file name so we can give credit!!!

Field Trips

We are working on the 2010 field trip schedule as well!! (It's been a busy holiday season). We are still looking for a volunteer to help with field trips. I know "volunteer" can be a daunting word but without some help we can't offer a lot of fun things.

Glennie Exhibition

On the subject of volunteers, many thanks to Curtis Johnson for taking on our club's possible submission to the 2010 Glennie Nature Interclub Exhibition. Curtis will be contacting members with information on how and what to submit. Curtis will also compile the entries into a short program for February or March so we can, as a group, decide on our final submission. This exhibition is, as is mentioned in the name, and interclub event. We have never done one of these so it could be interesting and a lot of fun!

Digital Corner
Taking the plunge on multi-exposure software - HDR

Digital image capture has opened up the opportunities for photographers to capitalize on the tremendous advances the computer has brought to the world. The main things we benefit from are the rapid advances in technology and the software tools that follow. In the old film days, our ability to capture and present images was really under the control of the engineers at the camera companies and at the film producers. Very few individuals could develop and market things other than gadgets. The world of "high tech" has known for many years that with a computer and a good knowledge of software engineering, just about anyone with a good idea can successfully develop and market great tools.

Today, with the extensive use of image processing software, a relatively open architecture in operating systems (even Apple™ has opened theirs somewhat!) and ever more powerful computers, many very talented software entrepreneurs have flooded the market with really cool image processing capabilities. This month I wanted to give a brief overview of some software that allow photographers to go way beyond what was "doable" with film.

To record high contrast images you can turn to several HDR software applications. HDR, or high dynamic range is a tool that in the "old days" we could approximate with graduated ND filters and sandwiched slides in the dark room/projector. Even then the outcome was not all that great or was limited to the ability to expose for the foreground and prevent the sky above from burning out. Today there are several very nice programs that allow the photographer to take a series of image of the same scene but at different exposures. On one hand, the exposure for the shadows is optimized, letting the highlights burn out. On the other hand, the exposure for the highlights is optimized, letting the shadows block up. Add a mid tone optimized exposure and one each slightly over exposed and underexposed and we have a sequence of 5 (for example) exposure of the same scene. Let an HDR program have these and the result is a pretty decent product that shows a properly exposed image with shadows, highlights and midtones. There are a couple of things that will make this process much more manageable. First, lock your camera to a tripod and then compose your image. Although the software can adapt somewhat to slight variations in the image, that takes a lit of computer time and may not always give optimum results. Start with a proper exposure for midtone and then move up and down in 1 stop increments to start. Shoot in RAW and check the histogram for each image to make sure you are getting the entire range captured. If your camera has an auto bracket feature, now is the time to use it! You will need to experiment a bit to get a feel of how your software handles HDR images. Experience will help decide the number of exposures either side of midtone and number of stops between each image. You may now ask, which HDR software package is best. Photoshop™ can be made to do HDR with many of the normal image tools but there are specific products that are designed just for HDR applications. The most widely used is Photomatix, see http://www.hdrsoft.com. They now offer a "lite" version for under $40.00 as a download. When you use most HDR programs, something like a "tone mapping" and detail enhancement features are usually available. Like most features they good points and challenges. Be careful using it as it can lead to "comic book" appearance if you go to the extreme. Additionally the final output from the HDR program after tone mapping can be a little flat, so plan on some time in Photoshop™ or another post processing program to spark it up. As with any other powerful application, time and experience will make it one of your "go to" tools.

In the coming months, we'll look at the "unlimited" depth of field tools now offered.

 

February Program

Mary Taylor Young will present a program called Birds across Colorado. A best-selling author of 9 books, Mary has written full time since 1987. Her titles include The Guide to Colorado Birds and the Colorado Wildlife Viewing Guide. For 16 years she wrote the Words on Birds column for the Rocky Mountain News.

Monthly Critique Images

Please submit up to 3 images, for normal critique and 1 image for theme. Please remember to size the images to less than 500kB and send them before the meeting (a week is good, not later than the Sunday before) to uwpcimages@comcast.net so we can include them in the monthly program. If you need help on the sizing process, go to the page on our website on “digital submission specs”. The theme for February is snow and ice! PLEASE include your name (not just initials) in the image file name so we can give credit!!!

Field Trips

We are working on the 2010 field trip schedule as well!! We have volunteers to help organize trips. Jim Esten is the primary contact. Stay tuned for news!

Glennie Exhibition

On the subject of volunteers, many thanks to Curtis Johnson for taking on our club's possible submission to the 2010 Glennie Nature Interclub Exhibition. Curtis has been contacting members with information on how and what to submit. Curtis will compile the entries into a short program for February or March so we can, as a group, decide on our final submission. This exhibition is, as is mentioned in the name, and interclub event. We have never done one of these so it could be interesting and a lot of fun!

 

March Program

Our speaker for March is John Kieffer. John started his photo career in 1987 as a professional photo assistant, working with top commercial photographers. He has expanded his horizons and now represents their imagery through his stock agency, OutsideImagery.com. John will show nature photos along with some tips and anecdotes, hopefully showing us how to not only increase enjoyment, but have the chance of making money.

Dues

Once again dues are due! Our "fiscal year" runs from March to February. Dues are still $15.00 per family unit (single, couple, family, or whatever). Please renew this month. If you aren't sure, I'll have a list at teh March Meeting! Anyone who joined since last November is covered through the 2010 year.

Monthly Critique Images

Please submit up to 3 images, for normal critique and 1 image for theme. Please remember to size the images to less than 500kB and send them before the meeting (a week is good, not later than the Sunday before) to uwpcimages@comcast.net so we can include them in the monthly program. If you need help on the sizing process, go to the page on our website on “digital submission specs”. The theme for March is animals in winter! PLEASE include your name (not just initials) in the image file name so we can give credit!!!

Field Trips

We are working on the 2010 field trip schedule as well!! We have volunteers to help organize trips. Jim Esten is the primary contact. We'd like to do a March trip to Monte Vista to see and photograph the sandhill cranes. Stay tuned for news!

Glennie Exhibition

On the subject of volunteers, many thanks to Curtis Johnson for taking on our club's possible
submission to the 2010 Glennie Nature Interclub Exhibition. Curtis has been contacting members with information on how and what to submit. Curtis will compile the entries into a short program for March so we can, as a group, decide on our final submission. This exhibition is, as is mentioned in the name, and interclub event. We have never done one of these so it could be interesting and a lot of fun!

Digital Corner

This month I sat down to write the Digital Corner column and had a serious case of writers block. Those of you who know me will be a bit surprised as I'm usually never at a loss for words. I did the usual stuff when I'm searching for a topic, surf the web, peruse my photo library, look through recent copies of photo magazines and so forth. I didn't really get excited about any specific topic so I consulted with my wife! She had a great idea. She suggested that I look into how to do something different with photography besides shoot with the hope of selling images (that does sort of fit with
this month's speaker!). As we talked about that, we reminisced about some of the club's projects over the years. I'm not sure if the folks who have joined over the past few years are really aware of the things that we have done to contribute to the community as a whole. The club did start as temporary group to accumulate photos of a book on Urban Wildlife! That's how we got our name. The book did come to fruition, and rather than disband we moved on to other projects. We did a state-wide children's art contest on urban wildlife, helped the DOW with a code of ethics for watching and photographing wildlife, supported several events at the Rocky Mountain Arsenal and a few other things.

That got us to thinking, why not see if we can re-kindle that spirit of community we have so long ago? We all shoot a lot (or hope to), so why not see if we can do something with our images that's unique and is an asset to Colorado? I'm open to just about anything. If you have ideas, pass them on. Nothing is too crazy (well almost nothing - it would have to be legal and match our incorporation rules!). Think about the things you'd like to do, see if a group could do it and more. get back to me either by email or at the March meeting with ideas. the only thing I ask is please write them down on a piece of paper or an index card. I am notorious for writing stuff in my note book and not getting back to it!

 

May Program

Our speaker for May is Glenn Randall making a return visit to do a landscape program on
Canyonlands and Arches Natl. Parks. Check out Glens website at http://www.agpix.com/glennrandall

Dues

Once again dues are due! Our "fiscal year" runs from March to February. Dues are still $15.00 per family unit (single, couple, family, or whatever). Please renew this month. If you aren't sure, I'll have a list at the May Meeting! Anyone who joined since last November is covered through the 2010 year. PLEASE SEND IN YOUR DUES IF YOU HAVE NOT YET DONE SO.

Monthly Critique Images

Please submit up to 3 images, for normal critique and 1 image for theme. Please remember to size the images to less than 500kB and send them before the meeting (a week is good, not later than the Sunday before) to uwpcimages@comcast.net so we can include them in the monthly program. If you need help on the sizing process, go to the page on our website on “digital submission specs”. The theme for May is Patterns in Nature. PLEASE include your name (not just initials) in the image file name so we can give credit!!!

Field Trips

Jim Esten has published some plans for field trips. He's looking for additional ideas so don't be shy!

Upcoming Photo Events

Telluride Photo Festival: Don’t miss the sensational first year of the upcoming Telluride Photo Festival September 20-26, 2010. Come for all or part of the activities geared toward intermediate nature photographers and up. September 20-23 feature an impressive lineup of workshops taught by Robert Glen Ketchum, Jack Dykinga, Wendy Shattil & Bob Rozinski and other well-known instructors. September 24-26 events feature symposiums, panels, portfolio reviews, gallery exhibits and networking. The Telluride Photo Festival is timed to coincide with the spectacular peak fall color this corner of Colorado is known for. Come for the beautiful photos and stay for the inspiration and knowledge you’ll gain. Plus, it will be great fun. Standard Passes start at $170 and include entrance to all of the seminars, symposiums, presentations, and social events September 24-26. There’s a 20% discount on festival passes for early bird registration before May 1, 2010. Classes begin at $49 and Workshops range from $300 - $1000. For further details and registration, go to http://www.telluridephotofestival.com

Digital Corner
The changing face of ISO!

The newest digital cameras are touting ISO numbers that stretch the imagination. Back in film days the very idea of shooting a film with an ISO (or ASA for the seasoned photographers in the club) exceeding 10,000 was unheard of. Now a good many digital SLRS exceed that by staggering amounts. How can we properly utilize this new tool? Recent magazine articles have addressed the use of ISO as a creative tool in ways we've not seen before. The ability to get decent saturation in very low light is the first thing that comes to mind, secondly we can crank up shutter speed and freeze action with reasonable depth of field in ways we only dreamed of in years past. OK, what are the drawbacks to this great tool? As with everything in this field, there are tradeoffs. As I have mentioned before in articles and in the classes I teach, ISO does not change the sensitivity of the sensor, it changes the overall "system gain".

Let's get into the details! The digital sensor, by its very design, has a system gain which simply put defines the amount of electrical current generated by a given amount of light striking each pixel (photons to electrons). The engineers designing these sensors call this parameter "native sensitivity". The electrical circuits that takes these extremely tiny signals and boosts them to a usable level are called amplifiers. The signal coming from the amplifier (at this point it's an analog signal, related more or less linearly to the amount of light striking the sensor) is routed to another circuit called an analog to digital converter. This circuit takes the signal and converts it into a digital form. The number of bits
that you see referenced in a lot of literature comes from the design of this circuit. The mor ebits, teh more information (light level) conveyed to the processor. The ISO setting DSLRs controls the gain of the amplifier. If the ISO is set to the "native sensitivity", the camera is pretty close in sensitivity to the equivalent ISO of film. This is essential the optimum setting for gain. As ISO is increased, the gain goes up and along with it, any noise in the input signal as well as noise generated by the amplifier itself. If the ISO is reduced below the native sensitivity, the signal gets attenuated a bit and some information is lost, impacting the saturation of the image. The software in the image processor can do quite a bit to alleviate the negative impacts of noise and to some degree the reduced information, so deviating from
native sensitivity is manageable.

So how can we translate this into something usable? Well first you need to find the ISO for your camera that corresponds to the native sensitivity. You can use that as a starting point for your shooting and increase or decrease as the situation dictates, but at least you'll know that starting point. How to find out? Good question. It took a while but the "conventional wisdom is that Canon native sensitivity is at ISO 100 while Nikon tends to be 200. I'll bet some internet searching can produce better as well as conflicting numbers but such is life in the digital age. I searched on "native sensitivity + Canon + 7D and got 342 hits on Google. Many had additional links and a good many had wrong information!

Set your camera to its native value, move the ISO up and down, and see for yourself the variability in images. Hint- You probably won't see a lot until you get to the extremes. Once you know, you can then use ISO as a creative control with more understanding.

 

June Program

Our speaker for June is Lee Kline. Lee’s presentation will include the 23-minute DVD movie, and a presentation called "Shooting Your Way Out of a Photographic Rut." Check out information about Lee on his website http://www.leekline.com/


Dues

Some folks are past due!! Our "fiscal year" runs from March to February. Dues are still $15.00 per family unit (single, couple, family, or whatever). Please renew this month. If you aren't sure, I'll have a list at the June Meeting! Anyone who joined since last November is covered through the 2010 year. PLEASE SEND IN YOUR DUES IF YOU HAVE NOT YET DONE SO.

Monthly Critique Images

Please submit up to 3 images, for normal critique and 1 image for theme. Please remember to size the images to less than 500kB and send them before the meeting (a week is good, not later than the Sunday before) to uwpcimages@comcast.net so we can include them in the monthly program. If you need help on the sizing process, go to the page on our website on “digital submission specs”. The theme for June is Birds in Flight. For July the theme will be - Pseudo Animals - inanimate things that look like animals. PLEASE include your name (not just initials) in the image file name so we can give credit!!! Example would be: bob-dean-turkey.jpg

Field Trips

Jim Esten has published some plans for field trips. He's looking for additional ideas so don't be shy!

Upcoming Events

Telluride Photo Festival - Don’t miss the sensational first year of the upcoming Telluride Photo Festival September 20-26, 2010. Come for all or part of the activities geared toward intermediate nature photographers and up. September 20-23 feature an impressive lineup of workshops taught by Robert Glen Ketchum, Jack Dykinga, Wendy Shattil & Bob Rozinski and other well-known instructors. September 24-26 events feature symposiums, panels, portfolio reviews, gallery exhibits and networking. The Telluride Photo Festival is timed to coincide with the spectacular peak fall color this corner of Colorado is known for. Come for the beautiful photos and stay for the inspiration and knowledge you’ll gain. Plus, it will be great fun. Standard Passes start at $170 and include entrance to all of the seminars, symposiums, presentations, and social events September 24-26. There’s a 20% discount on festival passes for early bird registration before May 1, 2010.
Classes begin at $49 and Workshops range from $300 - $1000.
For further details and registration, go to http://www.telluridephotofestival.com

Black Hills Photo Shootout - Great faces like Wild Bill Hickok, Mount Rushmore and Chief Crazy Horse. Great places like Custer State Park, Spearfish Canyon, Badlands National Park and Deadwood. These are just a few of the great photo opportunities for you in South Dakota. Bring your camera, loaded and ready to fire, and join us in the first Black Hills Photo Shootout on September
17th, 18th and 19th, 2010. Photographers of all skill levels and interests are invited to participate. The Shootout will have unique field workshops, scenic photo walks, inspiring indoor workshops and informal social events. They will also have great speakers. George Lepp, a Canon “Explorer of Light” and Outdoor Photographer editor, will present his latest work in “Capturing the Possibilities.” Paul Horsted will take us into Black Hills photographic history with a talk on his book “Crossing the Plains with Custer”. More information at http://www.bhsu.edu/blackhillsphotoshootout Registration is NOW OPEN!

Blue Ridge Mountain Photographers - The Blue Ridge Mountain Photographers, along with Blue Ridge Mountains Arts Association, is sponsoring a National Juried Wildlife and Nature Photography Exhibit in The Art Center in Blue Ridge, Georgia from September 4 through October 8. The show, which will be judged by nationally known nature photographer Milton Heiberg, is open to all hotographers, both amateur and professional. Monetary prizes totaling $2,500 will be awarded. The entry deadline is June 30, 2010. We are now accepting entries. The official entry form and rules can be downloaded from this site: http://brmphotographers.net/2010/04/05/calling-for-entries-for-brmp-national-juried-wildlife-nature-photo-exhibit/


Guest Article: This month member Doug McPeek is our featured author!

What is a photographer?
A photographer is a person who takes pictures in a place you’ve never heard of using a Nikon D3x with a Nikkor 600mm f4 lens, right? Sure. Those folks are a dime a dozen. In case you don't know already, you will need a lot of dimes to be this photographer! Maybe photographers are those folks who use a "110” camera with a disposable flashcube? Do those cameras still exist? Perhaps. The truth is anyone who takes pictures (makes images!) using any kind of camera is a photographer. Each photographer has their own motivations and those motivations change. For simplicity, I’ve created
three basic roles to categorize photographers. There is an overlap, different names (i.e., tourist instead of beginner), subject preference, and etc… None of these terms, particularly tourist, is intended to be derogatory.

Tourist
• I remember when I took this picture
• I had fun…
• This made me feel…

Hobbyist
Hopefully a hobbyist takes pictures for the same reasons as a tourist, if not photography probably isn’t a good choice for a hobby. In this context, a hobbyist is someone who “does” photography in their spare time. You may be wondering, “How is hobbyist different than a tourist?” A hobbyist typically goes beyond the basics and delves into more of the artistic and technical sides of taking pictures.
• Desire to pursue photography outside of trips or family gatherings
• Intentionally setting aside time to "try out ideas"
• Create images that elicit emotions in others
• Self edification

Professional
• Make money

Lather, Rinse, Repeat...
I consider myself a beginning hobbyist. What does that mean? I decided I wanted to take better pictures through devoting some of my spare time in hopes of growing as a photographer. I read, I speak with other likeminded individuals, attend workshops, and I experiment. I consider myself a beginner because I am just starting to get some basics down and I realize there is a lot more to learn. In short, I look up to more experienced photographers for guidance and inspiration. It doesn’t take a rocket scientist to figure out how to get better at something.
• Set a goal
• Plan it
• Practice it
• Evaluate it
• Repeat it (Lather, Rinse, Repeat...)
• Share it

Set a Goal
You will never get there if you don’t know where “there” is. I took a picture of an ostrich during a safari. When I returned from my vacation and printed the picture I realized a few things:
• The color was not as bright as I remembered
• His location in the picture didn’t feel right
• The focus was poor

Was there anything good? Yes. I had just discovered three things that would have improved my picture. I could pay more attention to the color of a scene, learn about composition, and learn more about my camera. As an aside, I am happy with many of the pictures from the trip. They are a good record of the fun I had taking them.

Plan it
I want to take sharper pictures. I had to learn about my camera and what I could do with it. For example, I learned that a lot of interrelated factors go into making a sharp image. I try to be mindful of these when I practice.

Practice
I took my camera “into the field” to reinforce what I read in the manual that came with it. My plan was to keep taking pictures until more of them are tack sharp. At this stage I practice with just about any subject in between taking pictures of subjects I go after intentionally. I now get out and use my gear more frequently. Did I say gear? Yes, I’ve accumulated a new camera body, lenses, filters, and other doodads which call my gear. My wife calls it “stuff.” Going back a little bit, the Digital SLR camera I used on my vacation was of average quality. I basically used it as a fancy point and shoot. Now I
have a camera that provides more advanced functionality I can use as I learn more about different techniques.

Evaluate it
“A mind is like a parachute. It functions best when open.” I have a desire to improve and I am open to constructive criticism. Someone shouldn’t feel compelled to tell me a picture I’ve taken is good so my feelings aren’t hurt. I also don’t want to have my pictures criticized by someone without specifics and suggestions for how to improve if I’m provided with a similar situation. I don’t find either situation helpful. When I first started submitting pictures for review I was looking for validation. I wanted to hear things along the lines of, "Hey, nice work!" I didn't get it. On one occasion I submitted a picture I took while hiking. The only person who took the time to comment on my picture was the Senior Technical Editor of an online photography community. His comment was, "A great record shot... As a pure landscape photo on its own, it just doesn't have much drama to it. No real foreground and not great light." Wow! That stung!

This was the exact opposite of what I wanted to hear. He didn’t tell me what I wanted to hear. He succinctly told me what I needed to know. I re-read his reply. Great record shot = Fond memory
No real foreground = Poor composition Drama and light were obvious to me. As a matter of fact I already knew all of this from my prior experience on my vacation. I had taken a picture of a different subject but got the same results. I needed to change.

Lather, Rinse, Repeat...
Practice some more, evaluate some more, and get better.

Share it
Once you’ve learned something share it. Someone else may be struggling with the same problem and you may be able to offer just the help they want. By the way, if you don’t make the time to look up, you may miss your opportunity for your best picture!